Monday, October 31, 2011

Read Terrence Malick's 1979 Script Notes in the Tree of Existence Precursor Qasida

When Vital gave a publish-Times of Paradise Terrence Malick $a million, carte blanche, to create his next film, he started creating a highly ambitious project about the roll-out of existence and also the cosmos titled Qasida (or, simply, Q). Obviously, the studio balked in the abstract Malick-ness from it all, the film delayed, and also the director required the following 2 decades removed from filmmaking. But! You can now read Malick’s own Q script notes, circa 1979, and picture how his globe-trotting Q eventually morphed into this season’s Tree of Existence. Excerpted all Things Shining (via Movie City News): A. Script a. skeleton, but may wish to you must do everything that's there b. prosaic, but more things coming that'll be fantastic c. constantly altering different emotions - never return to same one - each one of these emotions are on the planet, we would like to bring them out. … p. 3 First Light (laser) a. laser will burglary, abide by itself b. light show: different types of symmetry c. music strong and triumphant, like “Hallelujah Chorus,” then cutting loose, not resulting in anything d. eventually, first shot of cosmos … p. 3 [sic] Volcanoes - Infant Earth - Evening (Paul) a. locations: Mountain visit production manage, get permits must book this well ahead of time (speak with Robert Duvall re: Ganges river project also American Sportsperson) 1. Yellowstone (Geysers, geothermal power areas) - tight angles 2. Chile Atacama Desert (smoking volcanoes, no snow in Chilean summer time) - wider angles 3. Rift Valley (Kenya, Tanzania) 4. Iceland (fumeroles and Ice Age) 5. Hawaii (Volcanoes and Rainforest, high jungle) b. Contact CSLP, SEAN, Volcanologists c. no scouting outings, just send small deck hands with cameras (Arri III, Canon primes, best available contacts, etc.) d. shot during the night so no plant life problem e. possibly use fog filters … f. Search engine marketing (Jim): 4200 line resolution shoot black and whitened on color film avoid jelly bean look Ah, right. Can’t have that dreaded jelly bean look. But seriously: Q sounds as beautiful and enchanting because the cosmic sequences it inspired in Tree of Existence, plus much more impenetrable. An amount Sean Penn model of it? Read much, a lot more over whatsoever Things Shining (link below). Terrence Malick’s Script Notes for Q [Everything Shining]

Sunday, October 30, 2011

The Coming Of (Digital) Age Of The CW

For its entire existence, the CW has been battling criticism that its target young (and primarily female) demographic is way too narrow to support a broadcast network. The drumbeat grew louder as TV audiences started migrating online, with younger viewers leading the charge, further eroding the CW’s modest ratings. In a first step to try to stop the bleeding, the network last year started bundling its on-air ad sales with those for the streaming its shows on the CW’s Web site with a full commercial load. The move alleviated the problem a bit but didn’t change the reality that the CW was a network that was losing money and was going dark for extended periods of time including the entire summer. Part of the problem is the fact that the CW airs serialized young-skewing dramas. They don’t repeat well, leading to stretches of dismal ratings for the network with no originals and generating virtually no syndication value for the CW co-owners CBS and Warner Bros. whose TV studios produce all of the network’s scripted series. Within the last couple of weeks, the network was part of two major online distribution deals that take major steps towards resolving both issues. First came the 4-year pact CW’s co-parent companies CBS and Warner Bros. signed with Netflix for streaming previous seasons of the network’s current series. The deal, which analysts estimate could bring CBS and Warner Bros. as much as $1 billion, would help make up for lost syndication revenue because of the serialized nature of the shows. Additionally, the pact doesn’t prevent the studios from pursuing cable syndication deals in the future (not that such deals appear likely.) Then came the Friday’s deal with Hulu, this time made by the CW itself. It will have the episodes of network’s current seasons stream on the Fox-NBC-ABC-owned online hub — right away for subscribers with limited commercials and free for everyone 8 days after the episode’s original airing on the CW with full commercial load. (CW.com will continues to stream the episodes starting 3 days after their premiere.) The revenue from that deal is nowhere near the one with Netflix but an insider described it as “meaningful”. It will go mostly towards programming and marketing at the network, including investing in original summer fare, the CW president Mark Pedowitz said. The deal is interesting because CBS has been a longtime Hulu holdout (though the network recently signed a deal for Hulu’s subscription-only service in Japan.) Pedowitz hopes to use Hulu as “a massive marketing platform” to reach viewers that the network hadn’t before, and “hopefully bring people to the stations and help make (the CW series) more live events than Live+7.” The CW shows get a disproportionally large ratings bump in Live+7 with the highest average percentage increases among all broadcast networks, but live viewing is valued more by advertisers. The two deals won’t make the CW profitable but, as analysts noted, they’re putting the network on a path to profitability. The broadcast network business was built on close-ended procedurals that repeat well to allow nets to maintain stable ratings levels throughout the year and producing studios to sell those shows in broadcast and especially cable syndication for top dollar. Then streaming services like Netflix came along where serialized dramas whose syndication value is almost non-existent are far more attractive. Lionsgate TV paved the way with its Netflix syndication deal for Mad Men earlier this year, and now CBS and Warner Bros. have taken it to the next level with the entire portfolio of the CW’s current series. But if those series seem to work better online than they do on broadcast, wouldn’t it make more sense if they were produced directly for digital distribution, eliminating the great expenses associated with managing a broadcast network? Pedowitz dismisses such a notion. “You need the broad platform that makes the shows interesting to companies like Netflix and Hulu,” he said, adding that it is because the CW shows have the title recognition and production values associated with a network series that they are so attractive to the digital services. At TCA in August, Pedowitz stressed that adding more close-ended procedurals was one of his development goals for this season. The deal with Netflix, which puts a premium on serialized shows, hasn’t changed that, he said. “We will have a healthy programming mix of shows. “Were still a broadcast network, we still want to have shows that repeat well.” Like the characters in most of its shows, the CW is coming of age. But instead of fighting its niche appeal, the network is finally embracing it. And after struggling for years with the fact that a large portion of its audiences prefer to watch its series online (remember the network’s 2008 decision to strop free streaming Gossip Girl in an effort to try to force viewers to watch it on TV?), the network seems to have finally come to terms with it. As they say, if you can’t beat ‘em, join ‘em.

Saturday, October 29, 2011

'Anonymous' Star Rhys Ifans On Playing the Man Behind Shakespeare's Works

Several aspects of this week's new release "Anonymous" are unexpected. From the controversial plot to Roland Emmerich turning away from big-budget action to tell a story about Shakespeare, much of it should surprise audiences, but one of the most interesting choices made by the creators of the film was the actor in the lead role, Rhys Ifans. Known in the US for his smaller, oddball roles like Xenophilius Lovegood in "Harry Potter and the Deathly Hallows - Part 1" and as Curt Connors in "The Amazing Spider-Man," Ifans may not seem like the natural fit for the role of the Earl of Oxford, and when the actor sat down with MTV News' Josh Horowitz, he talked about his struggle to secure the lead in "Anonymous." Ifans said that the first step was meeting director Roland Emmerich in his home in London and answering a question. "I read the script, and he asked me which role would I kind of be interested in. I told him, 'If I assume you are kind of a run of the mill director, you would offer me the part of Shakespeare—which Rafe Spall plays flawlessly and brilliantly—but if you were a brave and courageous director you would maybe consider me for the part of an English aristocrat who wrote the complete works of Shakespeare.'" But Emmerich and the studio was still unsure of casting Ifans, but according the actor, the casting director stepped in to assure that he could handle the role. "I remember the casting director at the time telling Roland, 'No, honestly Roland, I've seen him in the theater. He does really good posh. He's very good at being posh,'" Ifans said. "Anonymous" hits theaters today (Oct 28). Also be sure to check out Rhys Ifans showing off his Lizard voice from "The Amazing Spider-Man." Are you interested in seeing Rhys Ifans in a more dramatic role? Let us know in the comments below and on Twitter!

Tuesday, October 25, 2011

Karl Urban Goes Into Overdrive

With Ben Barnes also aboardAction thriller Overdrive has been looking to get traction for a while now, with director Antonio Negret aboard for ages but no solid sign of stars. Thank goodness, then, for Karl Urban and Ben Barnes, who have just jumped aboard. Urban and Barnes will play adventurous, car-stealing brothers who get into real trouble in the South of France. Oh, and they may soon be joined by Game Of Thrones Emilia Clarke, who is currently thrashing out a deal to co-star.Overdrive has seen several casting rumours come and go, with Matthew Goode, Alex Pettyfer and Garrett Hedlund all attached at different times to play the two siblings.The script comes from Wanted writers Derek Haas and Michael Brandt, who dreamed up the concept back in 2008 after a trip to France as part of a Hollywood outreach program. They brought the screenplay to Fox, which started development, but then shoved it into the neutral gear of turnaround. But then Taken director Pierre Morel stepped in to produce, and he's helping the film get set up for financing. Negret will start shooting at the end of this week in Marseilles.

Furious 'Sons of Anarchy' Creator Notifies DirecTV Audiences 'You're Getting F---erection dysfunction Over' Unveils Banned Script

Sons of Anarchy creator Kurt Sutter is not anyone to stay quiet for very extended and this time around around, he's making his opinions heard round the carriage fight between satellite cable provider DirecTV as well as the Fox Systems.our editor recommendsDirecTV Expects to tug Fox Systems Among Carriage DisputeFX Renews 'Sons of Anarchy' for Fifth Season'Sons of Anarchy' Record Ratings Prompt Kurt Sutters Return to TwitterKurt Sutter Quits Twitter Days After Questionable Frank Darabont, 'Mad Men' Rant'The Walking Dead:' 'Sons of Anarchy's' Kurt Sutter Chimes on Frank Darabont's Firing'Sons of Anarchy' Kurt Sutter Talks Emmy Snubs and Season 4 Late the other day, DirecTV told Fox Systems that it's going to drop the channels Tuesday, November. 1 once the companies aren't able get to an agreement inside the ongoing carriage dispute. Later tomorrow, Fox mentioned it had offered additional time but that DirecTV "informed us in addition to their clients that unless of course obviously we accept their remainds, they 'will suspend our systems on November. 1.' " According to DirecTV, Fox Systems is seeking a forty percent increase in its carriage costs. PHOTOS: Fall TV Dying Pool: Which New Shows Will Probably Be Axed? Sutter, whose Sons of Anarchy airs on Foreign exchange which is in risk to become attracted inside a couple of days should an agreement Not made, revealed on Monday he shot a promo according to him "will air before Tuesday evening's episode" of his show. The reason, according to him, "is always to mobilize fans against DirecTV." But Sutter mentioned he "required to follow an Foreign exchange legal script that felt like complete bullshit. I'm sure it'll serve it's purpose, however feel compelled to permit SOA fans know very well what I Desired to convey.In . VIDEOS: 'Sons of Anarchy' Red-colored-colored Carpet Premiere Part of the script that Sutter claims he wasn't allowed to take advantage of, states, "Beginning November. 1, DirecTV is yanking Foreign exchange from your box. And that means you'll miss the ultimate five cases of Sons this season. Possibly five of the extremely critical cases of the series. I realize Fox features a equine in this race, nonetheless they're trying to barter in good belief. DirecTV is shutting lower all conversation and ultizing their customers as leverage. On the way, you're getting f---erection dysfunction over. They're running ads utilizing their corporate shill recommending simply how much 'they be worried about your organization' that dude's got one sincere on the job his heart because the other greases your naive backside. Since they're likely to switch you over and f--- you within the ass before you bleed. ... Let 'em know they could't f--- along with your Sons of Anarchy." VIDEOS: Emmy Roundtable: Drama Showrunners Sutter recognized that he's a cog in the larger machine. "I am knowledgeable that i am working for top-handed smoking guy," he written. "The truth is, every large entertainment customers are additional time of some corporate behemoth. Foreign exchange is not any exception. The main one factor that keeps me there's they are concerned as much about creative process simply because they do their primary point here. That's not only rare, it's virtually nonexistent otherwise in Hollywood. That bubble is sailed by [Foreign exchange chief] John Landgraf. Whether or not this weren't for the guy, I'd be selling star maps and handjobs as you're watching Motherlode." Fox's carriage agreement with DirecTV expired Sept. 30. Fox Systems includes Foreign exchange, National Geographic Funnel, 19 regional sport shows, Fox Movie Funnel, Speed, Fuel TV, Fox Soccer and Fox Deportes. Fox broadcast stations and Fox News Funnel aren't mixed up in discussions. Fox which is parent company, News Corp., were associated with a dispute with Cablevision a year ago and Fox channels were blacked on Dish Network in October 2010 among a dispute, throughout which Sutter referred to as Dish "whores" on Twitter. Related Subjects Sons of Anarchy Kurt Sutter

Monday, October 24, 2011

'X Factor' United kingdom Condemned By Primal Scream Show's Rankings Downslide Continues

LONDON - Primal Scream took to Twitter to condemn X Factor United kingdom's utilization of their 1994 hit Rocks around the ITV1 show, that has battled to keep its rankings without Simon Cowell.our editor recommends'The X Factor' Partners with Verizon Wireless'The X Factor' Premiere: Simon Cowell Won Over by Youthful Rachel Crows Song, Emotional Backstory (Video) 'The X Factor' Redux: 5 Afterthoughts around the Shows Premiere PHOTOS: Behind the curtain: THR's 'X Factor' Cover Shoot The Scottish indie band behind such hits as Country Girl stated the track been used without permission. A publish around the band's official Twitter feed stated: "Sorry to listen to "Rocks" was adopted on X Factor. We don't endorse this." The track was carried out inside a raunchy rock-designed performance from 19-years old Frankie Cocozza, who made an appearance having a bevy of scantily clad backing performers. Cocozza continues to be trained by Gary Barlow, the first kind "Take That" star, who heads this season's knowing panel. It's the 2nd time this month the band have were not impressed with utilization of their music - earlier this year Home Secretary Theresa May used exactly the same track as she walked off stage throughout the party's annual conference. PHOTOS: An 'American Idol' to X Factor' Timeline Meanwhile, ITV1 bosses have unsuccessful to arrest the entire year-on-year decline from the show's performance . Even though blockbuster hit remains among ITV's greatest shows, the show is lower on this past year's audience totals and audience share. Saturday evening's show averaged 9.75 million audiences along with a 38% share based on overnight rankings, in comparison to 12 million audiences and typically 47% share in the same stage last year. PHOTOS: 'The X Factor': Start Looking at Simon Cowell's New Knowing Team X Factor even lost to begin with to Strictly Come Dancing- the BBC's version of Dwts so it has beaten recently - once they briefly went face to face on Saturday evening. Sunday evening's results show attracted 13.5 million audiences, lower from 15 million audiences in the same stage last year. Related Subjects Simon Cowell Worldwide The X Factor

Thursday, October 20, 2011

Access Hollywood Live: Dr. Ozs Smoothie Cleanse Recipe

First Launched: October 20, 2011 12:50 PM EDT Credit: Access Hollywood Caption Access Hollywood Live: Move It & Lose It With Dr. Oz La, Calif. -- Dr. Oz shared the guidelines for his 48 hour cleanse with Access Hollywood Lives Billy Rose rose bush & Package Hoover. Inside a weekends time, Dr. Oz states anyone can reboot themselves and acquire in relation to better health. Dr. Oz shares the recipe to his lunch smoothie. Lunch: Fruit Smoothie Elements: 1/2 cup almond or hemp milk 1 tbsps of. ground flaxseed or chia 1/4 cup frozen blueberries 1/4 blueberry 1/2 cup ice Mix all elements in the blender. Blend until smooth. For further on Dr. Ozs weekend cleanse, mind to internet.doctoroz.com. Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.